Okay, perhaps movies that seek purely to make you sick to your stomach are abusing our whole “right to free speech” thing, but dammit if I’m not happier than a pig in putrid, bloody, pus-filled dung that they are around. This past weekend, I sat down with some friends to do a double feature of Eli Roth’s Cabin Fever and its DTV sequel, Cabin Fever 2: Spring Fever. To be honest, when I first saw Roth’s original in the theater I was disappointed…but I’ll give it this: it holds up. I was still disappointed with it. However, after you wade through an hour long swamp of underdeveloped characters yammering at each other, the last twenty minutes of the picture are a lot of fun. Cabin Fever 2: Spring Fever takes that last twenty minutes and turns into eighty minutes of pure disgustingness. And this is a good thing.
It opens with the original movie’s star, Rider Strong (if that’s your name and you aren’t a porn actor, they what’s that say about the size of your dork?), running in front of a school bus and exploding like a big bubble of blood. And then the virus (or whatever it’s supposed to be that makes everything so disgusting) takes a trip to the prom, and we are treated to endless gore, including near constant vomiting of blood, brutal killings with exploding heads, and unfortunate morons disintegrating as a result of whatever the hell it is that tainted the town’s water. Other highlights include a sex scene in a pool with a morbidly obsese girl that my friends and I came to call “White Precious” and a scene in a bathroom where a sickly boy takes out his penis to show his friends that it is bleeding and draining pus as a result of a blow job he shouldn’t have accepted. My friends and I were screaming with disgust the entire time, and if that isn’t the kind of magical visceral reaction motion pictures are supposed to elicit, I don’t know what is. If you are easily nauseated, by all means stay the hell away from this thing, but if you love a good gross-out you can only do slightly better…
Which brings me to another movie, which technically isn’t DTV because it had an extremely limited theatrical release, but damn it is a good time. Troma’s Poultrygeist: Night of the Chicken Dead is exactly as dumb as it sounds, and how wonderfully dumb it is. Like most of Troma’s releases, it is relentlessly politically incorrect, putting the worst racist jokes, sexist jokes and homophobic jokes on display, and when they run out of that crap they make the proceedings about nudity and/or diarrhea. The acting is terrible, the movie is overlong and meanders all over the place, and every joke drops like rock. It is perfect. And there are songs. My wife made me shut it off after twenty minutes because all the puking and shitting and blood-letting made her sick. And she’s a tough chick, too, but this proved too much for her. Not for me, of course. I watched the rest while eating lunch the next day. I haven’t laughed that much in a while, at least not all in one sitting.
Did I mention there were lesbians?
Lots of love, Tonn
I didn’t think CABIN FEVER was that bad. It just wasn’t anywhere near as disturbing (or even GOOD) as the likes of Roth and his grotesquely obese bum-chum Harry Knowles claimed it was.
But CABIN FEVER 2 is terrible. ANd that’s a shame because director Ti West also made an excellent 80’s throwback horror movie called HOUSE OF THE DEVIL.
It’s ostensibly a ‘babysitter in peril’ flick that is just very well-made and free of the referential irony of all of these modern movies that claim to be inspired by the graphic horror cinema of the 70’s and 80’s. It looks and feels authentically like a movie from that period without being contrived or cute about it.
But be warned, it’s not one for the Attention Deficit Disorder-having mongoloids who flock to every Platinum Dunes remake that gets expelled from bowels of the Hollywood shit-machine. HOUSE OF THE DEVIL is a definite ‘slow-burn’, building atmosphere, character and suspense for the majority of its running time before unleashing the full-on horror goodness.
Peeps should check it out.
Interesting. I had the opposite reaction. I found CF1 to be pretty boring overall, very much like a low-budget but glee-less Sci-Fi (SyFy) Channel Saturday night movie. The ending was fun, but not quite good enough to justify the rest of the flick. CF2 was terrible, there’s no way I can argue against that, but I felt it had a more tongue-in-cheekiness to it that worked better with the truly disgusting gore.
Off-topic, but I hope the Pigs will do a vlog about COP OUT.
I just saw it and it’s fucking garbage.
Poultrygeist is amazing. Did you watch it from the 3-Disc edition? There’s a full length making-of that’s incredible and shows how insane Lloyd Kaufman was and how the whole movie was a pain to make.
Here’s the trailer from the Troma channel: